Cynthia Schwartzberg Edlow
“THE NEXT BIG THING” INTERVIEW
Author: Cynthia Schwartzberg Edlow
****
TNBT: What is the title of your
book of book of poetry?
THE DAY JUDGE SPENCER LEARNED THE POWER OF METAPHOR.
TNBT: Where did the idea come
from for the book?
No single idea created this book.
The poems here were born from the theater of human behavior I’ve participated
in or been witness to for some long time. I’m always aware that my job is to be
present, take note and document the findings. The poeticizing of the findings
comes afterward, in the working of the craft. These are poems that are placed
in personal familial surroundings, work or woodland surroundings, the gravity
of courtroom events, the medical examiner’s table, the points of view from
birds and widows, and reminiscences of young minds and those more experienced.
Most of all, you’ll find the recurring theme of the sometimes bewildering,
sometimes soothing, circuitousness of the astonishing qualities of the world’s
machinery, no matter how much we as humans attempt to intercede or concoct.
TNBT: What genre does your book
fall under?
This is a book of Poetry.
TNBT: What actors would you
choose to play the part of your characters in a move rendition?
Well, let’s see. The Chief
Medical Examiner is based on a real person, who himself is brilliant, charismatic,
moody and excruciatingly frustrating. So I see Peter O’Toole perfectly fitting
that role. All the attorneys and judges are based on real individuals also – so
I’d see Mark Ruffalo and Mickey Rourke as attorneys, because they’re great
actors and they can turn on a dime from quirky to lethal; Sissy Spacek would
play the recurring female attorney who possesses a brilliant mind and some
madness in her blood. The judges: off the top of my head, I see Jason Robards
wearing a robe, and the exemplary Jack Lemmon, too. And in some of the lust
poems, of which there are quite a few, when there’s a steamy love scene ahead,
just insert Robert Mitchum, because he’s been my dreamboat since I was
8-years-old – so what point to stop now? Sidney Poitier, love interest fantasy marriage
material. Invariable that most of my favorite actors are no longer with us.
They really don’t make them like they used to.
TNBT: What is the one sentence
synopsis of your book?
Life, as we know it, is
extraordinary and precious, and a privilege to experience – it is not bestowed to
us by right, but by peculiar, engaging and unlikely accident.
TNBT: How long did it take you to
write the first draft of the manuscript?
There never was any “first” draft
of this manuscript. I was working on my Master’s Degree in the mid ‘80’s,
writing and publishing poems, and I won a very sweet award from the National
Poetry Competition Chester H. Jones Foundation during that time. The judges
were Robert Creeley, Charles Wright and Diane Wakoski. Shortly thereafter, I
had a poem published in The American
Poetry Review and I thought surely I was sailing on the poetry river. Soon after
that, I completely stopped writing – a cold hard stop – for a period of almost
ten years. When I began writing poetry again, around 1998, it was with a more knowledgeable
vigor and mature poetic voice. In retrospect, it could not have occurred in a
better fashion for me. The time spent away from the page allowed me to truly
uncover my poetic self. I was very fortunate. As I began writing again, the
poetry came strong and fast, and probably 95% of the poems in the book were
picked up by literary journals, anthologies and awards, and I began seeing
various themes naturally generate from the work being created. So, the short
answer is it took twenty years to write this book. My next collection-in-progress
will take three years at the most. That’s called mastering the art of condensing
time!
TNBT: Who or what inspired you to
write this book?
Of all the questions, this is the
most difficult, but satisfying, for me. My primary inspiration is music – soul,
rhythm&blues, the blues, rock&roll.
It’s what influenced me before I even knew what poetry was. I was
listening to The Coasters, The Temptations, Aretha Franklin, Otis Redding and
myriad others way before I’d ever heard of Yeats, or Bishop or William Matthews
or Sharon Olds. The sound of the music – the voices, the harmonies, the
instruments, all combined together – was how I interpreted how my poetry should
speak itself and be read. An important thing to mention is, it was also these
amazing colorful, potent, imagistic lyrics that just swelled into my heart and
mind. So when I turned to my own poetry, it became about infusing specific
kinds of rhythm and language forms into each line, each phrase, each image. It’s
not about rhyming; it’s about a soulfulness.
TNBT: What else about your book
might pique the reader’s interest?
Sex galore. And plenty of it. Death
galore, at the hands of a master. The trials and tribulations of human beings
traversing the battleground of legal troubles. Finding serious love in a world
of chance. To use a phrase from my favorite artist of all time, Van Morrison, I
hope you feel this book is permeated with “a sense of wonder.” It’s the
greatest gift to possess in experiencing this world.
TNBT: Will your book be
self-published or represented by an agency?
The Day Judge Spencer Learned the Power of Metaphor was published
by Salmon Poetry Ltd., Ireland ’s
groundbreaking, independent poetry publisher, and is distributed in the US by Dufour Editions, in the UK by Central Books, London ,
and in Ireland
by CMD Booksource.
Heartfelt gratitude goes to my publisher,
Jessie Lendennie, and to Siobhan Hutson, Salmon Poetry’s production manager. It
is an honor to be a Salmon poet and affiliated with Salmon Poetry, Ltd.
****
It is with great pleasure and
admiration that I introduce the following tagged poets and writers for next
Wednesday’s “The Next Big Thing” interviews:
Charles Alexander http://www.chax.org/poets/alexander.htm
David Chorlton https://www.facebook.com/#!/david.chorlton.7
Beth Copeland http://bethcopeland-writing.com/about/
Doug Molitor http://www.dougsdozen.com
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